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[艺术][琴棋书画][中英对照]简论中国传统山水画和西洋风景画的异同及相互影响(4)

一线实稿 樊明璨 1570浏览 0评论

landscapepainting

20世纪的一些美术史家注意到了早期西方风景画在精神内涵和构图方面与中国风景画的相似性。例如,奥斯卡·穆斯特伯格在他的《达·芬奇和中国风景画》一文中,就指出了达·芬奇风景画中,尤其是素描风景与中国风景有着很多相同的地方,

Some art historians of the 20th century heeded the similarities in spiritual connotation and composition between early western landscape painting and traditional Chinese landscape painting. For example, Oskar Munsterberg pointed out in his Leonard da Vinic and Traditional Chinese Landscape Painting that da Vinic’s landscape paintings, especially his sketch landscape ones, have many elements that can be found in traditional Chinese landscape paintings.

近现代的中国山水画和中国传统的山水相比有很大差距,很大程度上受到外来绘画和其他视觉艺术的影响,呈现出多姿多彩的风貌。从形式到理论,已不再受传统绘画的制约。张大千曾说过 绘画本无中西之分只有工具材料地域以及风俗习惯的不同,中国传统绘画书法有自身独特的语言和表达方式,有着与众不同的魅力,在漫长的历史长河中东西方绘画的互相借鉴及影响从未停止过,在经济全球化的时代,中国书画作为中华文化的一部分,受到越来越多的世界各国朋友的喜爱,作为几千年的文化成果,我们完美的把它呈现出来,与世界人民分享。

Compared to traditional Chinese landscape painting, modern and contemporary Chinese landscape painting is very different and takes on diverse appearances mostly due to the impact of foreign painting and other visual arts. Either formally or theoretically, it has no longer been restricted by traditional painting. Zhang Daqian said that painting originally shouldn’t be divided into western painting and eastern painting but only depends on tools, materials, regions and customs. Traditional Chinese landscape painting has its own unique language and expressions and therefore distinct charm. In the long history of China, mutual reference and influence between eastern painting and western painting never ever ceased. In an era of economic globalization, Chinese calligraphy and painting as a part of Chinese culture have gained favor from more and more worldwide friends; they are our cultural achievements accumulated for thousands of years, presented perfectly and shared with the whole world.

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壬辰龙年十一月于京

In Beijing

November of Ren-chen Dragon Year

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